the Yoruba movie circle even as she maintains a crossover appeal with
the English counterpart. Noted more for her girl-about-town roles, Ojo
is also a film producer of class, having churned out award-wining flicks
like Omo Gomina and Arinzo currently making waves, and Tembelu just
waiting to be released. She spoke to Gboyega Alaka on a number of
industry issues, including her latest works, the susceptibility of
Nollywood marriages, piracy and her newly opened beauty clinic.
YOU are one actress who’s got a peculiar swagger to your personality,
especially when acting the girl-about-town roles; where did all that come
from?
Well I guess that might suggest that I kind of grew up in the streets. But not at all;
I’m actually a very homely girl. My grandmother is Ibo and in Ibo tradition, after
school, the next thing for the woman is the kitchen. So I’m a relatively homely girl.
But where did I get all the swag and charisma from? First, I’d say from God.
When I started acting, I started going out a lot, to events, to nightclubs; and
when I’m out there, I try to study people a lot. I see how the town girls behave,
how they talk; more especially those with unusual characters.
Have you at any time suffered stigmatisation by people based on
certain roles you have played?
Yeah, a lot of that happens. I know I regularly play town-girl, bad babe,
armed robber, criminal; and some people unfortunately tend to see me in
that light, probably because of my look or because I play it well and maybe
because I also have tattoos on me. I know people tend to regard those of us
wearing tattoos like, ‘Oh, she has tattoos, so she must be a very baaaaad girl.’
However, when they have the opportunity of getting close to me, the equation
usually changes and the next thing is ‘Iyabo, are you always this quiet?’
Your latest film, Arinzo, has all the trappings of a blockbuster,
what has been the response in the market?
It’s been wonderful. Even up till this moment, I keep getting messages
from my fans and they’re just loving it. The good news is that the
concluding part is going to be out this September and I’m sure they can’t
wait to see it. This is the first time I’m dividing my films into two,
which is a way of combating the piracy menace; but I’m glad
they’re looking beyond that.
Aside Arinzo, what other films have you produced?
I have Tembelu. It’s the first old school comedy in Yoruba.
The promo is already out; but we want the concluding part
of Arinzo to hit the market before we release it. And there is
Enu Orofo which I shot for Gbeminiyi Adegbola, who has been
my P. A. for over nine years. She’s the producer, but I am the
executive producer. Of course, I have talked about Omo Gomina.
Timbale is in the studio, as we speak, and once that is out,
I’ll be going on location again to shoot another movie.
What were the challenges making that movie,
considering that it is a Yoruba movie, shot mainly in
Ghana and featuring some Ghanaian acts as well?
What I do usually before I go into any production is plan
ahead. It took me a year before I got myself ready to
shoot Arinzo, going back and forth to Ghana to get the
right person to stand for me and co-ordinate activities.
And once I got that person, she took charge and made
sure all logistics worked well for a smooth shooting.
However, it was capital-intensive, but because we
had planned it ahead, it wasn’t outrightly difficult
to accomplish.
When you shoot a film outside Nigeria, do you
have to pay some kind of fee or you just move
in and shoot?
Of course we pay, like when I went to shoot the film
Omo Gomina in South Africa. I also had a co-ordinator
on ground, who took care of all the fees, while I just
made the fund available. In Ghana, we had to pay for
the fact that we were coming to shoot in the country.
We also paid for the airport that we used in the film;
we paid for the police because we used real policemen
and their vans and their guns. We even had to fill a form;
we had to send a letter ahead, even to the university
that we used, for approval – the university didn’t
take a dime.
Tell us of the challenges of being an actress?
The major challenge that comes with being an actress
is that people tend to have a different opinion about
you based on what they watch. Aside that, a lot of people
want to be your friend, or want you to be their mentor.
And if you don’t respond the way they want – because you
can’t respond accordingly to everybody’s expectation –
it becomes a problem. There is also the part where people
violate your privacy and write a lot of things about you that
may or may not be true. Apart from these, being an actress
is just an interesting experience. It can be very tasking
and strenuous but you learn to manage that.
Nollywood is replete with cases of broken marriages,
and here you are too, a single mother who
was once married….
I wasn’t even a star when I got married. And when I got out
of my marriage, I still wasn’t a star. Up until I got married,
I’d only featured in one film, Satanic, and I pulled out of
the industry the moment I got married. So I wasn’t acting
in those years that I was married. I was a full-time housewife
and businesswoman. And so if I had problems with my marriage,
it had nothing to do with my acting profession. I actually chose
to come back into acting because I had started having issues
with my marriage and knew it wasn’t making me happy. And
I knew that wasn’t the way I wanted to live my life. Yes, there
are lots of problems in celebrity marriages; and the reason is
that as celebrities, we live in our own world. We work hard a lot,
moving from one location to the other; and usually when a female in
the industry meets a male guy who just comes from the blues,
he usually comes with a lot of loaded lies and sweeps some of
these colleagues of mine off their feet. And they in turn are not
patient enough to study these guys well enough, because
‘society expects them to be married.’ So people tend to marry for
'specific reasons, and as far as I am concerned, you mustn’t be
able to define the reason you love someone to the extent of marriage.
Once you get married for a reason, then there is a problem. I got
married because I was pregnant. That was a reason. My husband
married me because I was pregnant for him. That was also a reason.
Most men get married to ladies in the industry because of the celebrity
aura around them, only to realise that there is a lot to marriage than that.
They also discover that in reality, these ladies aren’t as perfect as the
screens project them. And then the men cannot get used to the ego
that comes with the profession and typically want to be the man and
break those wings. And if the woman is such that wouldn’t be tamed,
then there is a crisis and a collision.
Piracy continues to be a problem in Nigeria. As a major player,
how do you view the menace?
It’s annoying. It’s frustrating. You know Arinzo came out on a Monday;
now by Tuesday the following day, a friend of mine went to the market
and bought a pirated copy. Now, the CD didn’t just contain Arinzo alone,
but two other films were added and sold at a hundred naira. It’s that bad.
Now some of us want to shoot good movie, but when you spend so much
money on a film and you don’t make that money back, then you get
discouraged.
And that’s why we keep saying that the government need to set up a
task force with a primary responsibility of dealing with this menace,
just as they have KAI Brigade dealing with people who cross the highways.
Let’s talk about FESPRIS, your new beauty clinic.
FESPRIS is a combination of my two children, Festus and Priscilla.
It opened officially on August 11, 2013 and it’s basically a
beauty clinic where we have a spa, do scrub, facials; we also
have the salon where you do your hair, nail studio for nails,
manicure and pedicure; the tattoo section, where you can have
your tattoos and piercing. I also have my office here from where
I run my business, because I’m also into events management.
I have ushers, I have models and I also do bridal beads,
bridal make-up; and cakes of all sorts.
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